Sunday, September 5, 2010

What I've actually been writing:

So I haven't been blogging on here, true, but I have been writing:

Avatar: Special Edition - My review for Filmink of the extended edition of Avatar. Saw it at the Darling Harbour Imax. It was epic on such a massive screen. Actually really enjoyed it. Everyone at IMAX was super nice to me to.

Vampires Suck - It really does. There is nothing to like about this turd. I was an insult to my intelligence. Nothing clever, interesting or funny about this doozy.

Boy - New Zealand comedy out now that is as hilarious as it is charming. Such a crowd pleaser that I could safely recommend to anyone.

Coming soon will be an interview/article I did about the latest IMAX film The Wildest Dream. I got to interview Conrad Anker for it, who was such a nice and inspiring guy. Keep an eye out!

Film Festival Checklist:

It's that time of the year where all the major film festivals start debuting "Oscar films" with high pedigree of talent behind the camera as well as in front of the camera. With so many films getting screened, it's hard to keep track of them all and how they're being recieved so here's a quick summary of some of the hotly anticpated films getting screened:

Black Swan:
Overall Reception - Middle to positive, and some raves.
Oscar Chances - Portman is the only thing unanimously being raved so looks set to at least garner a nomination. Picture and Director maybe but it seems a little wiggedy-whack for the Academy. Cinematography looks pretty set. Could make a big splash if it's as well recieved in its cinema release.

"Alternately disturbing and exhilerating, this dark study of a mentally
fragile performer derailed by her obsession with perfection is one of the most exciting films to come out of the hollywood system this year." ~ Mike Goodridge,
Screen International

Miral:
Overall Reception - Unenthused.
Oscar Chances - Unlikely. Wasn't very well recieved at all. Post-Slumdog Millionaire was given a chance to prove if was the real deal actress - and apparently she isn't. Apparently the films bludgens audiences over the head with its message. Weinsteins are behind it, but they'll probably drop it.

"The film wears its heart on it's sleeve- and its awkwardness too" ~ Telegraph

Somewhere:
Overall Reception - Luke warm
Oscar Chances - For fans of Sofia Coppalla's film, maybe. But no one is saying it's as good as Lost in Translation which is the only time her films have made any real impact on the Academy. Whilst the film apparently meanders, the father/daughter relationship is apparently believeable and effective. So maybe Stephen Dorff and Elle Fanning if they campaign and the films gets a positive response on release. The film does have its fans as well as its haters.

"For all the similarities, this does not have the brilliant seriocomic
moments of Lost in Translation. If that was her hit single, then this is her
b-side." ~ The Guardian

127 Hours:
Reception - Positive, some raves.
Oscar Chances - High. They obviously like Boyles style, and apparently it works really well here. Critics are praising the choice to stay with Franco the who film, who apparently carries to film amazingly well. With rollover love from Slumdog, a strong leading performance and the fact that it's a true story makes me think Oscar night will be littered with noms for it. Is it too early to say that Franco looks very likely to be nommed?

"The relief in the theatre was palpable - if there's such thing as quiet
cheering, there it was" ~ LA Time
s

Never Let Me Go:
Reception - Positive
Oscar Chances - Another actress contender with Mulligan getting great reviews. Might be two years in a row for her! The rest of the cast is also well recieved but apparently its Mulligans show. The score by Oscar winning Rachel Portman is getting unanimous raves, some even calling it for the win. The BAFTAS will likely eat this up, and there is a strong crossover with AMPAS so some major categories are not out of the question.

"It is more than "a good story well told". It is humanity
on screen." ~ David Poland. MCN